So why isn't anyone allowed to pay for one? PROFESSOR ROB GALLOWAY: There's a very good reason for us all to have a Covid booster.Trans guidance for schools puts parents first as ministers to say teachers and students who 'misgender' a pupil should not face any sanction.Civil servants were paid £150 million in 'golden goodbyes' last year - including £400,000 for a Treasury boss sacked by Kwasi Kwarteng, figures reveal.NHS dental services at 'their most perilous point' with the worst crisis in 75 years that could see services slashed, report warns.So what's in those vegan Christmas salmon and gammon that makes them look and taste like meat.Celine Dion 'no longer has control over muscles' amid incurable stiff-person syndrome battle - as her sister reveals singer still 'dreams' of returning to the stage.The biggest is why WAS Michelle Mone made a peer at all? The 10 busiest rental markets of 2023 REVEALED - so does YOUR area make the list?.Dame Esther Rantzen reveals she is considering going to Dignitas if her lung cancer worsens: Childline founder, 83, says she doesn't want family to see her have a 'bad death' which would 'obliterate the happy times' - and is awaiting scan results.Thrill-seekers defy danger warnings and venture to site of enormous Icelandic volcano eruption despite blast spewing bubbling lava and smoke into sky - as astonishing photo shows scores of cars queuing nearby.Matthew Barney: REPRESSIA (decline) is on view at the Los Angeles County Museum of Art through Janu. Through his new work and his old work, Barney reminds us that he’s been probing their brutish depths for some time. Nobody seems to know what to do with men at this moment. These not only hold up but also feel like they were made at the same time as Secondary. This past spring, Metrograph showed all the Cremaster movies, which are of course named for the muscle that controls the testicles. You feel a little like a detective or, if you visit LACMA to see this early work, perhaps an archaeologist.īarney’s been having a moment lately. Mystery and conspiracy are important components of the overall project, so if you stumble upon one of his props, say at auction, they’re still fun to consume as puzzle pieces that force you to imagine the very strange larger picture they’re a part of. But for me, that’s not an unpleasant sensation. “That’s it,” reads one Letterboxd review of the film, “I’m done trying to follow along with these workout tapes.”īarney is a master of gesamtkunstwerk, and if you see his physical works outside of the context of his films, it can feel like you’re missing something. He looks like someone at the climbing gym who has outsourced his limbs to remote control by nefarious forces. Blind Perineum sees the artist, a former football player, using his body to scale the structure while restrained by weird carabiner setups. ![]() Performance art can often feel like some kind of arcane ritual but Barney’s work in particular is aimed at charging sculptures like REPRESSIA with a certain kind of magic. ![]() The films are necessary to understand the work’s greater significance. Two such films made inside this structure, Radial Drill and Blind Perineum, are on display at LACMA. This installation can be considered first and foremost a canvas for the multidisciplinary Barney’s performance and films. The sculptural components include a fleshy pink wrestling mat, tube socks, petroleum jelly and a speculum. This disorienting room-sized work is part gym, part studio and part sex dungeon. If you live in Los Angeles, though, you do have a chance to see Barney’s REPRESSIA (decline) from 1991, which was recently installed at the Los Angeles County Museum of Art, having been acquired by the institution in 2019. ![]() © Matthew Barney, courtesy of the artist and Gladstone Gallery Matthew Barney, BLIND PERINEUM, 1991, Video Still (Video: Peter Strietmann). It was as if he was welcoming us to a future he had predicted all the way back in the 1990s. But the ambitious, hypnotic piece mined American culture, Barney’s own biography and, literally, the floor of his studio to create a work that made all his old themes feel fresh once again. Its centerpiece was a film of the same name, the ostensible subject of which is a professional football game on August 12, 1978, where Jack Tatum of the Oakland Raiders delivered an open-field hit on Darryl Stingley of the New England Patriots that left Stingley paralyzed. Shame on you if you missed Matthew Barney’s Secondary, his show at his studio in Long Island City, which closed earlier this summer.
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